game online,fashion,interior design: Ginta Lapina

10.26.2011

2.12.2011

JASON WU FALL / WINTER 2011/2012 READY TO WEAR

MODELOS:

DAPHNE GROENEVELD (O)

SIGRID AGREN

DARIA STROKOUS

GINTA LAPINA

PATRICIA VAN DER VLIET

KARMEN PEDARU

SUZIE BIRD

MING XI

SASKIA DE BRAUW

ROSE CORDERO

DOROTHEA BARTH JORGENSEN

HANNE GABY ODIELE

EMILIA NAWARECKA

FEI FEI SUN

RUBY ALDRIDGE

JULIA SANER

HAILEY CLAUSON

ARIZONA MUSE

LIU WEN

JACQUELYN JABLONSKI

ALLA KOSTROMICHOVA

JUJU IVANYUK

ZUZANA BIJOCH

VALERIJA KELAVA

CHANTAL STAFFORD-ABBOTT

LINDSEY WIXSON

ANAIS MALI

CAROLINE BRASCH NIELSEN

NIMUE SMIT

ALANA ZIMMER

FRIDA GUSTAVSSON

TATI COTLIAR

JOAN SMALLS

MIRTE MAAS

KARLIE KLOSS

JOURDAN DUNN (C)

9.28.2010

VERSACE SPRING 2011 RTW

SUVI KOPONEN

Not for Donatella Versace, the feminine floor-sweepers that are floating up and down Milanese runways this week. "Rigor with sensuality"—that was her focus for Spring. And the focus was absolute: A handful of elements combined to create a statement that was limited but strong.

GINTA LAPINA

The models' hair cued a new strictness. Gone the supermodel mane, to be replaced by a tight topknot wrapped by Guido Palau and his team in PVC. Pat McGrath's makeup emphasized a strong brow at the expense of other features.

JAC

The look had a my-way-or-the-highway fierceness, but it was subtly realized. There was a kind of fetishistic tug to an outfit like the blue apron dress with the harness back; you felt it, too, in the severe silhouette, whose focus was alternately a pencil skirt that ended just below the knee or a fitted mid-thigh length.

ALLA KOSTROMICHOVA

This looked best in a trim coat-dress, which came in white piqué or black leather for maximum all-styles-served-here effect. As Donatella pointed out, the longer skirt could be paired with a midriff-baring tank or a top scissored into an asymmetric racerback—not so maîtresse after all. The cutouts were carried over to the footwear. The athleticism in such detailing gave the collection an energetic charge.

ABBEY LEE KERSHAW

The strong, clear colors played a role, as well—Mediterranean blue, orange, shades of red, combined in a strong, summery stripe. Donatella also revived the Greek key, the decorative border that is a classic Versace code.

SAMANTHA GRADOVILLE

It was traced in vinyl on a white jacket or combined with the stripes in a collage-y print on a sundress. All of this was played against a white that was as stark as the houses on a sun-bleached Greek island.

JACQUELYN JABLONSKI

Donatella extended that slightly classical notion into cocktail and evening dresses, adding fringe for movement, then weaving and draping it so it looked like something plucked from a Parthenon frieze.

KARMEN PEDARU

The goddess dress has been a house specialty from the beginning, so here it seemed like a perfectly logical conclusion for a Versace collection that drew its strength from the label's roots.